Match the Artists With the Art Movement They Represent

Abstract Expressionism

The designation 'Abstruse Expressionism' encompasses a wide variety of American 20th-century fine art movements in abstract art. Also known as The New York School, this movement includes big painted canvases, sculptures and other media besides. The term 'action painting' is associated with Abstract Expressionism, describing a highly dynamic and spontaneous application of vigorous brushstrokes and the effects of dripping and spilling paint onto the canvas.

Art Deco

Emerging in France earlier the Offset World State of war, Fine art Deco exploded in 1925 on the occasion of the Exposition des Arts Décoratifs (Exhibition of Decorative Arts). Blurring the line between different mediums and fields, from architecture and piece of furniture to clothing and jewelry, Art Deco merged mod artful with skillful craftsmanship, advanced engineering science, and elegant materials.

Art Nouveau

A decorative style that flourished between 1890 and 1910 throughout Europe and the U.S. Fine art Nouveau, as well called Jugendstil (Germany) and Sezessionstil (Austria), is characterized past sinuous, asymmetrical lines based on organic forms. Although information technology influenced painting and sculpture, its chief manifestations were in compages and the decorative and graphic arts, aiming to create a new style, gratis of the imitative historicism that dominated much of 19th-century art movements and design.

Avant-garde

In French, avant-garde means "advanced guard" and refers to innovative or experimental concepts, works or the group or people producing them, particularly in the realms of civilisation, politics, and the arts.

Baroque

The term Baroque, derived from the Portuguese 'barocco' meaning 'irregular pearl or stone', is a motility in art and compages developed in Europe from the early on seventeenth to mid-eighteenth century. Bizarre emphasizes dramatic, exaggerated motion and clear, easily interpreted, detail, which is a far cry from Surrealism, to produce drama, tension, exuberance, and grandeur.

Bauhaus

The schoolhouse of art and pattern was founded in Frg by Walter Gropius in 1919 and shut downwards past the Nazis in 1933. The faculty brought together artists, architects, and designers, and developed an experimental pedagogy that focused on materials and functions rather than traditional fine art school methodologies. In its successive incarnations in Weimar, Dessau, and Berlin, it became the site of influential conversations about the role of mod art and design in gild.

Classicism

The principles embodied in the styles, theories, or philosophies of the different types of art from ancient Greece and Rome, concentrating on traditional forms with a focus on elegance and symmetry.

CoBrA

Founded in 1948 in Paris, CoBrA was a short-lived withal ground-breaking post-war group gathering international artists who advocated spontaneity as a means to create a new gild. The name 'CoBrA' is an acronym for the domicile cities of its founders, respectively Copenhagen, Brussels and Amsterdam.

Color Field Painting

Often associated with Abstruse Expressionism, the Colour Field painters were concerned with the utilise of pure brainchild just rejected the agile gestures typical of Activeness Painting in favor of expressing the sublime through large and apartment surfaces of wistful colour and open compositions.

Conceptual art

Conceptual art, sometimes simply chosen conceptualism, was one of several 20th-century art movements that arose during the 1960s, emphasizing ideas and theoretical practices rather than the creation of visual forms. The term was coined in 1967 by the artist Sol LeWitt, who gave the new genre its name in his essay "Paragraphs on Conceptual Fine art," in which he wrote, "The idea itself, even if not fabricated visual, is as much a work of art as whatsoever finished product."

Constructivism

Developed by the Russian avant-garde around 1915, constructivism is a co-operative of abstract art, rejecting the idea of "art for art'southward sake" in favour of fine art equally a practice directed towards social purposes. The movement'southward piece of work was mostly geometric and accurately composed, sometimes through mathematics and measuring tools.

Cubism

An artistic movement began in 1907 past artists Pablo Picasso and Georges Braque who developed a visual language whose geometric planes challenged the conventions of representation in different types of art, past reinventing traditional subjects such as nudes, landscapes, and still lifes every bit increasingly fragmented compositions.

Dada / Dadaism

An artistic and literary motion in art formed during the First World War equally a negative response to the traditional social values and conventional creative practices of the unlike types of fine art at the time. Dada artists represented a protest movement with an anti-institution manifesto, sought to expose accustomed and ofttimes repressive conventions of social club and logic by shocking people into self-awareness.

Digital Art

Digital Fine art broadly covers a variety of artistic practices that employ different electronic technologies and consequence in a final production that is also digital. From computer graphics to virtual reality, from artificial Intelligence to NFT technology, the Digital Art spectrum is wide, innovative, and under the spotlight of the gimmicky art market place.

Expressionism

Expressionism is an international creative move in art, architecture, literature, and performance that flourished between 1905 and 1920, peculiarly in Deutschland and Republic of austria, that sought to express the meaning of emotional experience rather than physical reality. Conventions of the expressionist style include distortion, exaggeration, fantasy, and vivid, jarring, fierce, or dynamic application of colour in order to limited the creative person'south inner feelings or ideas.

Fauvism

Coined by the critic Louis Vauxcelles, Fauvism (French for "wild beasts") is 1 of the early 20th-century fine art movements. Fauvism is associated especially with Henri Matisse and André Derain, whose works are characterized by strong, vibrant colour and bold brushstrokes over realistic or representational qualities.

Futurism

Fairly unique amidst different types of art movements, it is an Italian evolution in abstract art and literature, founded in 1909 by Filippo Tommaso Marinetti, aiming to capture the dynamism, speed and free energy of the modern mechanical world.

Harlem Renaissance

Emerged after the First Globe War in the predominantly African-American neighbourhood Harlem in New York, the Harlem Renaissance was an influential movement of African-American art spanning visual arts, literature, music, and theatre. The artists associated with the movement rejected stereotypical representations and expressed pride in black life and identity.

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Impressionism

Impressionism is a 19th-century art movement, associated especially with French artists such equally Claude Monet, Pierre Auguste Renoir, Camille Pissarro and Alfred Sisley, who attempted to accurately and objectively tape visual 'impressions' by using small, thin, visible brushstrokes that coalesce to form a single scene and emphasize movement and the irresolute qualities of light.

Installation Fine art

Installation art is a move developed at the aforementioned time equally pop fine art in the late 1950s, which is characterized by large-calibration, mixed-media constructions, often designed for a specific place or for a temporary catamenia of fourth dimension. Frequently, installation art involves the creation of an enveloping aesthetic or sensory experience in a particular environs, often inviting active appointment or immersion by the spectator.

State Art

Land art, also known every bit World art, Environmental art and Earthworks, is a simple art movement that emerged in the 1960s and 1970s, characterized by works made directly in the mural, sculpting the country itself into earthworks or making structures in the landscape using natural materials such every bit rocks or twigs. It could exist seen every bit a natural version of installation fine art. Land art is largely associated with Great Britain and the Usa but includes examples from many countries.

Minimalism

Some other one of the art movements from the 1960s, and typified by works composed of simple art, such every bit geometric shapes devoid of representational content. The minimal vocabulary of forms made from humble industrial materials challenged traditional notions of adroitness, the illusion of spatial depth in painting, and the idea that a work of abstract art must be one of a kind.

Neo-Impressionism

A term applied to an avant-garde art move that flourished principally in French republic from 1886 to 1906. Led by the case of Georges Seurat and Paul Signac, Neo-Impressionists renounced the spontaneity of Impressionism in favour of a measured and systematic painting technique known as pointillism, grounded in science and the study of optics.

Neoclassicism

Nearly the reverse of pop fine art in terms of inspiration, this style is one that arose in the second one-half of the eighteenth century in Europe, drawing inspiration from the classical fine art and civilisation of Ancient Greece and Ancient Rome, which is not uncommon for art movements.

Neon Art

In the 1960s, Neon Art turned a commercial medium employed for advertising into an innovative creative medium. Neon lighting allowed artists to explore the relationship between light, colour, and space while tapping into pop culture imagery and consumerism mechanisms.

Op Art

Op Fine art is an abridgement of optical art, a grade of geometric abstract art that explores optical sensations through the use of visual effects such as repetition of simple forms, vibrating color-combinations, moiré patterns, foreground-background defoliation, and an exaggerated sense of depth. Op Fine art paintings and works utilize tricks of visual perception like manipulating rules of perspective to give the illusion of iii-dimensional space.

Performance Art

A term that emerged in the 1960s to describe unlike types of fine art that are created through deportment performed past the artist or other participants, which may exist alive or recorded, spontaneous or scripted. Performance challenges the conventions of traditional forms of visual fine art such equally painting and sculpture past embracing a multifariousness of styles such as happenings, body art, actions, and events.

Popular Art

Pop Art emerged in the 1950s and was equanimous of British and American artists who depict inspiration from 'popular' imagery and products from commercial culture equally opposed to 'elitist' fine art. Pop art reached its meridian of activity in the 1960s, emphasizing the bland or kitschy elements of everyday life in such forms as mechanically reproduced silkscreens, large-scale facsimiles, and soft pop art sculptures.

Post-Impressionism

'Post-Impressionism' is a term coined in 1910 past English fine art critic and painter Roger Fry to describe the reaction against the naturalistic depiction of lite and color in Impressionism. Artists similar Paul Cézanne, Paul Gauguin, and Vincent van Gogh developed a personal style although unified by their involvement in expressing their emotional and psychological responses to the earth through assuming colours and often symbolic images.

Precisionism

Precisionism was the first real indigenous modern art movement in the United States and contributed to the rise of American Modernism. Taking its cues from Cubism and Futurism, Precisionism was driven past a desire to bring structure back to fine art and historic the new American landscape of skyscrapers, bridges and factories.

Rococo

Rococo is a movement in art, specially in architecture and decorative art, that originated in France in the early 1700s. Rococo fine art characteristics consist of elaborate decoration and a calorie-free, sensuous style, including scrollwork, foliage, and animal forms.

Street Fine art

Evolving from early forms of graffiti, Street Art is a thought-provoking art motion that emerged in the 1960s and peaked with the spray-painted New York subway railroad train murals of the 1980s. Street artists use urban spaces as their canvas, turning cities around the world into open heaven museums and take frequently found their way into the mainstream fine art earth.

Surrealism

Founded by the poet André Breton in Paris in 1924, Surrealism was an artistic and literary movement that was active through World War II. The main goal of Surrealism painting and Surrealism artworks was to liberate thought, language, and human experience from the oppressive boundaries of rationalism by championing the irrational, the poetic and the revolutionary.

Suprematism

Found to be a relatively unknown member of the unlike types of abstract art movements, outside of the art earth that is. A term coined by Russian artist Kazimir Malevich in 1915 to describe an abstract style of painting that conforms to his belief that art expressed in the simplest geometric forms and dynamic compositions was superior to earlier forms of representational art, leading to the "supremacy of pure feeling or perception in the pictorial arts."

Symbolism

Symbolism emerged in the second one-half of the 19^th century, mainly in Catholic European countries where industrialisation had developed to a bully caste. Starting as a literary movement, Symbolism was presently identified with a immature generation of painters who wanted art to reflect emotions and ideas rather than to represent the natural world in an objective way, united by a shared pessimism and weariness of the decadence in modern society.

Nothing Group

Emerged in Germany and spread to other countries in the 1950s, Goose egg Group was a group of artists united by the want to move away from the subjectivity of post-war movements, focusing instead on the materiality, color, vibration, light, and motility of pure abstruse art. The main protagonists of the group were Heinz Mack, Otto Piene, and Günther Uecker.